|Single by Queen from Innuendo|
|Released||January 14 1991|
|Genre||Hard & Progressive Rock|
|Writer||Queen, Freddie Mercury|
|Producer(s)||Queen and David Richards|
|Last single||The Miracle (1989)|
|This single||Innuendo (1991)|
|Next single||I'm Going Slightly Mad (1991)|
|Next track||I'm Going Slightly Mad|
"Innuendo" is a song by English rock band Queen. It is the opening track on the album of the same name. Though credited to the whole band, the song was mainly written by Freddie Mercury. At six and a half minutes, it is one of Queen's longest songs. The song went to #1 in the UK. Featured is a flamenco guitar solo performed by Yes guitarist Steve Howe, an operatic interlude that harks back to the Queen of old and sections of heavy metal. It is often described as one of the band's darkest songs. Innuendo spent five weeks in the charts.
"Innuendo" was pieced together "like a jigsaw puzzle." The recurring theme (with the Boléro-esque beat) started off as a jam session between May, Deacon and Taylor. Mercury then added the melody and some of the lyrics, which were then completed by Taylor.
The middle section was primarily Mercury's work, according to an interview with May in October 1994's Guitar Magazine. It features a flamenco guitar solo, followed by a classically influenced bridge, and then the solo again but performed with electric guitars. This section is especially complex, featuring a pattern of three bars in 5/4 time (reasonably uncommon in popular music) followed by four bars in the more often used 3/4 time.
The "You can be anything you want to be" section features a very sophisticated orchestration, created by Mercury and producer David Richards using the popular Korg M1 keyboard/synth/workstation. Mercury had arranged and co-arranged orchestras in his solo career, and closed the previous Queen album with "Was It All Worth It", which included a Gershwin-esque interlude also coming from an M1 synth. The bridge section in "Innuendo" is in 3/4, showing once again Mercury's affection for trinary metres: "Bicycle Race" is another one with main sections in 4/4 and middle-eight in 3/4, and some of his best-known pieces (namely "We Are the Champions" and "Somebody to Love") were in 6/8, as would be his last ever composition, "A Winter's Tale".